base of operations cellar is a representative  glasshouse   verse line and clearly reveals roethkes method. The poem evokes the paradoxical situation in which the   lofty vitality of natural  demeanor seems threatening to the self. The fecund  earth of this strange plant life is not a   human race beings one; no human could exist in this   slatternly subterranean world. The cellar represents both womb and tomb, fecundity and destruction. The   gunpoint rhyme in the first three lines stresses the contrary pulls of the life forces (evoked by the vitality of the bulbs breaking out their boxes)and the death  aspiration (evoked by the darkness). The ambivalent nature of the scene is further  accentuate by the description of the growing plants in sexual  tomography that has  disallow connotations:hunting for chinks in the dark and   lolling obscenely . As the poet  well-nigh observes the procreative forces of nature, he becomes keenly aware of the pernicious  spirit that accompanies vital    growth. The sixth line--and what a congress of stinks!---divides the poem.  bordering follows an  assemblage of details, stressing the richness and rankness of the plants. Life is seen as an  permanent bursting  forrard;even the dirt appears to be breathing at the end.

    In short, the self feels attracted to and threatened by this subterranean world. The greenhouse poems  motivate one of some of D. H. Lawrences poems in which he is  quest his  central self, his deepest being that remains submerged in the  ill-bred regions of nature. The  riddle for both Roethke and Lawrence is that while man  fates to recapture the  autochthonic mystery, h   e feels alienated from his spiritual and phy!   sical origins.          Work  declare    Jason ,Philip . Critical  visual modality of poetry  (2nd revised Ed.). Chavkin, Allan. Root Cellar poem. Book.2003. 10-17-11    Pages 3246 -3247If you want to get a  good essay, order it on our website: 
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